We will be singing Gregorian Chant Mass on the evening of Ascension Day in St. Peter’s, one of Canterbury’s mediaeval parish churches. Rev. Mark Ball has invited us to participate in this service. We hope to sing as much of the Ordinary of the Mass and the Propers as will fit in with Father Ball’s Order of Service.

We realise that a bit of practice may be needed! So we have organised a Workshop-practice day on Saturday 1^st May with Nick Gale, Director of Music at Southwark Catholic Cathedral.

Nick will give a two part workshop. In the morning we will run a session for absolutely anyone who wants to learn or revise the ‘Missa de Angelis’, the Gregorian Mass most often sung in parishes. This will include the Kyrie, Gloria, Sanctus and Agnus that are used in all Masses. It could also include the Creed and the Our Father and some other responses which the Congregation use at Mass.

In the afternoon session ‘improvers’ will rehearse the Propers such as the Introit, the Offertory and the Communion Antiphon. We hope that CGMS Members with a little experience of singing will come along here and get to grips with the special music which is sung only on Ascension Day itself.

Details of timings, venues and the Ascension Day Mass itself will be finalised in the near future and will be published here on the site. As always, our members will receive advance notice.

If you aren’t already a CGMS member and would like to be one step ahead of the crowd when it comes to booking on our events, see our membership page for details of how to apply.

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A report on the Third CGMS Day of Chant by Helen Nattrass

A grey Saturday morning in January and our group gathered for the Byzantine Chant Day. Our teacher was Dr. Alexander Lingas, one of the leading Academics studying the music of the Eastern Christian Church. We began with a talk illustrating the antiquity of chant in the eastern Mediterranean, the links between Gregorian Chant and Byzantine Chant and the gradual divergence of the traditions.

Alexander showed that both Gregorian Chant and Eastern Chant were historic musical forms with a living tradition today. They both employ eight musical modes, which are named differently but work in the same way. The more recent divergences between them have been augmented by the insistence of the Roman Catholic Church on using an approved edition of Gregorian Chant whereas the Eastern Church relies much more on master-pupil teaching and the aural tradition; a wider variation in liturgical music performance is acceptable. Dr Lingas said that it is often possible to recognise a Cantor’s teacher by the decoration of the melody at cadences.

Then came the moment to begin the singing.  We had 40 pages of music to tackle! Our first discovery was that Eastern Chant goes in strict rhythm, completely unlike Gregorian Chant. The most difficult thing to accommodate was a flexible idea about tuning. The fundamental note never changes, but you can subtly sharpen or flatten any other note in the scale to add ‘spice’ to the line and text. We then discovered that some of the markings in our music indicated ‘drone-notes’ so while some of us continued singing the melody the rest of us sang the drone notes and… wow! Suddenly we were singing Byzantine Chant!

After lunch we heard another talk about the oldest traditions and sources of Eastern Chant, the traditions of Constantinople and Jerusalem, old liturgies of Hagia Sophia with their processions and the diverse modern sources for the music. Alexander said at times he needs to consult documents in old Armenian and Georgian, amongst others, where the original texts have been lost and only survived in translation! We continued with the singing and got through the whole lot before relocating to St. Mildred’s Church for a final run-through. Our great triumph was actually reading and singing the whole Orthodox Saturday Evening Vespers from start to finish. We had a great deal of help from Alexander keeping us right and singing the Cantor’s parts, but we did it! Our day ended with a group of us sharing a convivial Meze meal in Manoli’s Taverna.

All in all it was a day of the utmost interest led by a man of great learning, but who also had the practical skills to teach us and ultimately lead our good-intentioned, but amateur, rendition of the Vespers.

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Our third Day of Chant will focus on Byzantine Chant. The day will be led by Dr. Alexander Lingas, one of the leading academics in the field of Byzantine and Orthodox Chant. He is also a Cantor for the Orthodox Church as well as the founder and Artistic Director of the internationally acclaimed choral ensemble Capella Romana.

As many people will be new to this tradition of Chant the majority of the texts will be in English, and the day will mainly comprise practical sessions exploring the notation of the music and the nuances of singing it.

The lectures and workshop part of the day will be taking place at Canterbury Christ Church University’s Canterbury campus.

We will be aiming towards a Service of Byzantine Reader’s Vespers which will take place in St. Mildred’s Church at 5 o’clock.

Tea and coffee will be provided on arrival but you will need to make your own arrangements for lunch; do feel free to bring sandwiches or, if you prefer, take advantage of the many excellent restaurants in Canterbury City Centre. There is also a café close to the seminar room we will be using.

Please email us at contact@gregoriansociety.org if you are interested and we’ll send you details of the day including costs and timing.

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